Sunday, December 13, 2009

Citizen Kane is such an astonishing portrait of a man. What is so interesting about this portrait is that our protagonist, the main character, who is described as larger than life in the reading, is almost villified. His behavior is reprehensible throughout the film, especially his behavior toward his wives. It is interesting how the author points out that there is no glamorous female in the film, she mentions that this may be because the cinematographer was not a "glamour" shooter. Still, by making the wives seem almost plain it makes Kane seem even still larger. No one can subvert him, no one can make him love... he is an untouchable figure.

1 comment:

  1. I thought this was interesting too, mainly because throughout the film, I kept trying to figure out the love story behind the plot. The nature of modern film has developed a sense that all movies must be centered around a love story. I felt, for certain, that "Rosebud" was a woman, specifically his second wife.

    Additionally, I have to say I was a bit disappointed by the film. I know that it is one of the most analysised films of all time and frankly was expecting a more intriguing plot. The "Rosebud" ending, to me, was the cheery ontop of a disappointing movie. Perhaps if I had gone into the film not expecting a cinematic masterpiece I wouldn't have felt so let down. Maybe it's just me, or maybe the lack of romance in the film killed it for me. Ha, blame modern films!

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